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The Stile Bertone Alfa Romeo B.A.T. 11 Concept Car
Posted
July 1, 2009

Bertone's
financial problems haven't been great lately, the Italian design house
has been forced to drop out of the Geneva Motor Show and pull it's
plans on the Bertone B.A.T. 11 Concept. Italian coach builder and
design
house Stile Bertone is on the verge of bankruptcy but the Stile Bertone Alfa Romeo B.A.T. 11
concept car was still revealed in the city of Geneva.
The
new Bertone is said to be based on the Alfa Romeo 8C Competizione
supercar but it was designed as a styling exercise and has no
interior. The B.A.T. 11 is an updated version of the B.A.T. 5, B.A.T.
7, and B.A.T. 9 concepts built by Nuccio
Bertone in the '50's. The initials B.A.T. stands for
Berlinetta Aerodinamica Tecnica or aerodynamic technical coupe in
English.
It has a Maserati V8 engine and features Pirelli
shod 21" wheels with Brembo brakes.
It has many of the same designs as its predecessors,
including the fared-in wheels and wrap-around tail fins. The
original B.A.T.'s were designed to just look aerodynamic, but this one
was actually
wind-tunnel-tested in the Department of Aeronautics and Space
Engineering at the Polytechnic institute of Torino.
It's
quite an eye-catching car in person at over 16 feet in length, six feet
wide and
under four feet tall. The classic styling elements are joined together
with some modern tech, including electronically adjustable cooling
foils
and wheel coverings that automatically adjust to the optimal position
for cooling, steering or drag-reduction. It's a fun concept and a great
homage to Nuccio Bertone,and painted up in
his favorite green-gray color.
Although the original Bertone B.A.T.'s have become some of the most
coveted collector cars in the world, this new one was built with a
slightly different purpose. The
hope is to turn the Stile
Bertone Alfa Romeo B.A.T. 11 into a small-series
production car
which would
eventually help Bertone to overcome its current financial crisis.
Press Release
GENEVA,
SWITZERLAND - This project is
the logical outcome of the evolution of the B.A.T. 5, B.A.T. 7 and
B.A.T. 9, developed by Nuccio Bertone together with Alfa Romeo between
1953 and 1955. The aim at that time was to build aerodynamic cars: BAT
stands for Berlinetta Aerodinamica Tecnica (Aerodynamic Technical
Coupe).
These
three models, designed by Franco Scaglione, had very advanced features
for their time. They represent three important moments in automobile
history and after many trials and tribulations found themselves the
property of an avid collector in Las Vegas. They are now considered one
of the most valuable collections in the world.
This
new prototype has been designed with the Maserati GT chassis in mind,
in order not to be a mere emotional copy of the past. It strives to be
the BAT of the 3rd millennium, an authentic sportscar, in coherence
with the history of the Bertone name. For example, its design was the
most avant-garde among the various proposals, which is in line with
the
designer's penchant for strong messages. At the same time, creativity
was combined with reality: the prototype scale model was fine tuned
based on aerodynamic tests carried out at the Department Aeronautics
and Space Engineering at the Polytechnic institute of Torino.
4,9
meters long, 1,9 meters wide, and 1,2 meters high, the design brings to
the forefront some of the distinguishing elements of the BAT concept,
such as the tapered fins and the faired wheels, all in a context where
soft proportions are combined with strict and rough lines: a successful
encounter of the typical Bertone themes that have inspired many. The
fins seem to have been designed as a shawl that wraps around the car
beginning from the front fender. In the rear there is suspended spoiler
running lengthwise which uses a specific anchoring system. There is
therefore a continuous flow of surfaces, volumes and open spaces that
are uncovered piece by piece depending on the view angle.
Even
the 21" faired wheels with Pirelli tires contribute to defining the
model's character: they are inspired by the spoked wheels of before and
are fixed to the hub; they are made of alloy rims and carbon fiber
segmented helical spokes that let one catch a glimpse of the Brembo
brake calipers. It should also be noted that the body features that
streamline the front wheels are mobile and provide for an electronic
opening and closing system linked to the steering wheel to guarantee
easy steering when parking. Seen from the front, the model clearly
recalls Alfa Romeo: a long hood, very sleek in the upper part, which
descends towards a sharp receding front bringing to mind the model
designed by Bertone for the Alfa Montreal. At the center is the typical
triangular shield with the circular brand logo on the top of the hood
from which extend 3 horizontal lines that represent the Alfa Romeo
"whiskers": the central ones cut through the inlet which holds the LED
lighting system supplied by OSRAM.
The
side of the car is very simple, almost basic, and brings to the
forefront two particularities that highlight the sporty nature of the
car: the low widows combined with the high waistline and the cooling
foils (which are also on the rear bumpers) optimize brake cooling. The
doors were designed to open towards the front and slightly upwards,
allowing access to a two seat cockpit designed to be simply and
elegantly furnished, in line with the BAT concept. The dashboard is
designed in wood, curved in the lower part on the driver's side.
Finally,
the grey-green color, linked to the Alfa Romeo brand and dear to Nuccio
Bertone, is yet another element that contributes to carrying this
particular style, created by a master, towards the future.
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